![]() It's not this discovery that he's worried about, but he should be.Īnd it explains everything which you may have puzzled over in book one. Kira, it should be noted, is undoubtedly the love of his life, but lest he blurts out something incriminating he's been keeping her at a distance, even as she confides in him. I'm not going to elaborate here, either, except to say that there is a moment of discovery on the part of his best friend Kira which leaves her in fear for Dylan's safety, while holed up in his closet as he makes love to an ex-girlfriend. ![]() ![]() ![]() Much of the priming in terms of mental isolation has already been explored, but the other trigger - the core motivation, if you like - is an element of the first KILL OR BE KILLED which I deliberately kept from you for fear of spoilers. Our narrator is an astute individual with a keen moral compass, and that's as much of a trigger as anything. This is the periodical I pick up first no matter what else is on offer on any given week. ![]() If you think it improbable that you will root for the guy, I'd remind you that such is the strength of Brubaker's internal monologues that the self-contained CRIMINAL: THE LAST OF INNOCENT had us all desperately praying that a man could get away with uxoricide. The psychological self-examination of one affable if awkward young man's descent into mass murder. ![]()
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